This Atomos ATOMSUMSE1 Sumo 19 Inch SE HDR Pro/Cinema Monitor/Recorder/Switcher is the perfect tool to bridge your 4K HDR workflow across multiple cameras, audio and Atomos devices. Sumo 19 is a Monitor-Record-Switcher, and highly adaptable to suit multiple applications.
Unlock the true potential of your RAW cinema cameras with the Sumo 19. Preserve your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo 19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT and more.
Switching - Live Quad-channel HD Switching and Recording
Take full advantage of 4 x SDI inputs and let Sumo 19 step into the role of a large-format quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. Sumo 19 allows user to record a fifth 'program' channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set.
Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras. You can easily output the switched feed for live streaming with a solution as simple as the Atomos Connect 4K.
For professional productions large and small you save significant space - replacing several boxes in your rack, or decks and monitors on your desk with a single Sumo 19.
HDR/SDR - HDR in the field and in the studio: HDR really comes to life on the Sumo 19. It's 19" 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or gaming consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
10-bit ProRes and DNx up to 4Kp60: Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera's capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Audio - Two stereo balanced XLR inputs with 48V: Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Sumo 19: The perfect on-set monitor-recorder and switcher. Sumo's 19" screen allows you to really see what's going on in your image.
Atomos Sumo 19" SE (ATOMSUMSE1) is the successor version of Atomos Sumo 19 (ATOMSUMO19).
Advanced Media is Atomos authorized distributor. Contact Advanced Media Dubai for Atomos Sumo 19" SE (ATOMSUMSE1)
Atomos ATOMSUMSE1 Sumo 19 Inch SE HDR Pro/Cinema Monitor/Recorder/Switcher Features:
- With FREE Sun Hood
- HDMI 2.0 & 12G-SDI Inputs/Outputs
- HDR Mode with 10-Stop Dynamic Range
- ProRes RAW Support (Up to 6K)
- Quad-HD Live Switching and 5-Ch Recording
- Two XLR Inputs with +48V
- 10-Bit 422 ProRes/DNxHR Encoding
- 19" Quantum Dot OLED display with 2000 cd/sq. m Brightness
- 1920x1080 QLED 1200nit HDR Touchscreen
Why not buy this Atomos ATOMSUMSE1 Sumo 19 Inch SE HDR Pro/Cinema Monitor/Recorder/Switcher today?
ATOMOS RETURN POLICY:
All damaged, defective, or units needing repair, please submit a request via the Atomos support link at https://support.atomos.com/hc/en-us
Non-RMA returns: You have 14-calendar days to return the product and the device needs to be factory sealed (in the original plastic) in order for Atomos to honor a return.
Atomos ATOMSUMSE1 Sumo 19 Inch SE HDR Pro/Cinema Monitor/Recorder/Switcher Specifications:
HDR | |
---|---|
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10%) |
HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
Video Input/Loop Out | |
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out) | |
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats | |
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
Video Signal Conversion | |
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Supported Codecs & Frame Rates (Record & Playback) | |
Raw Record | Sony FS5/FS7^^/FS700 CDNG 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080; Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Panasonic VaricamLT / Varicam35* CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Arri Alexa Mini .ARI* 2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p |
Raw to ProRes / DNxHR | Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080; Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Panasonic VaricamLT / Varicam35* ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50*/60p* 4K UHD; 24/25/30/50*/60p* 2K; not supported in camera 1080; not supported in camera |
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p |
Onboard Processing | |
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
Headphone Out | 3.5mm |
Built-in Speakers | Yes |
Remote Start/Stop | |
HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
Playlist / Genlock / LTC | Yes / Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
Recording | |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |